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Philippe Petit (France)

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from Civil disobedience - လ​ူ​ထ​ု​မ​န​ာ​ခ​ံ​မ​ှ​ု part 3​/​4, released February 24, 2021
Since the early 2000s I have been performing the world, playing festivals all over Europe, Canada, USA, Mexico, Australia & Asia... Feeling lucky to release on several international labels such as Aagoo, Opa-Loka, Southern UK, Monotype, Alrealon Musique, Beta Lactam Ring, Sub Rosa, HomeNormal, Important, HelloSquare, Public Eyesore, Utech, Staubgold, etc... (see the section "Friends/Collaborators" above in the Menu bar for a detailed list + links).

I study Electroacoustic music at the CNRR Conservatory of Marseille where I am specialising in multi-channelled diffusion (Acousmatic spatialisation) and Modular Synthesis. Using Buchla System 200, Meta Expanded Buchla Easel "The Electric Music Box" + a modified EMS Synthi A to create my "Electronic abstractions" and Plastic sound-objects but moreover I am interested in the importance of the compositional gesture, to favor the live touch without repetitions, by impulse, in a very corporeal way. VISCERALITY ! Sculpting sound like a craftsman, without restraint or sometimes "on the tip of the hands", muted, caressing or with a simple stroke of a hand turn bersek all frequencies / pitches in a very electroacoustic result… Transporting everything in an elastic space-time where their harmonies and varied colors would join-overlap carrying the listener as if I had inflated a balloon and let it fly away suddenly…
Tension-relaxation, destabilizing and reassuring at the same time, kind of immersed in a dream where nothing would be where it is expected.

www.philippepetit.info

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Syrphe

Syrphe is a platform mostly but not exclusively focused onto experimental, electronic, noise music from Asia and Africa.
Records are published, lectures and sometimes concerts are given, monthly radio shows, news about underground artist from Africa and Asia and our projects are being given too.
Textolux, our sublabel published two vinyls of the electro, minimal wave project Tetra plok.
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