Jad Atoui & Jawad Nawfal - Discourse

from Uchronia by Compilation

  • Compact Disc (CD) + Digital Album

    Comes in hand-printed paper envelopes, includes one booklet with artists' biographies and contacts as well as one essay about Asia, music and the aim of this project. These are pressed CDs, no CDr's !

    Includes unlimited streaming of Uchronia via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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from Uchronia, released March 11, 2018
Jad Atoui is a music producer and electronic sounds experimentalist from Lebanon based in New York. Jad has been composing his own productions since 2008. Using his electronic gear, he creates music that fits styles like ambient, garage and glitch. His work has been featured in Pompidou Center (2012, Paris). Jad Atoui performed along renowned artists like John Zorn, Igorrr and Ikue Mori.

Jawad Nawfal created Munma in the aftermath of Israel’s war on Lebanon in the summer of 2006 – releasing three albums in quick succession for Lebanese imprint Incognito. In 2012, Jawad started working with Lebanese writer and slam poet Mazen el-Sayed aka El Rass, and the two musicians released two albums exploring the darker sides of rap, reconfiguring the genre to include elements of bass and electronica.
Between 2014 and 2016, Munma collaborated with Belgian electronic producer Kirdec and released 5 albums on his label Syrphe with different contributors, including Liliane Chlela, Elyse Tabet, and Kirdec himself. His latest album “Three Voices”, an exploration of the human voice within an ambient electronic framework, was released on vinyl by Lebanese label Ruptured in June 2016.


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Syrphe is a platform mostly but not exclusively focused onto experimental, electronic, noise music from Asia and Africa.
Records are published, lectures and sometimes concerts are given, monthly radio shows, news about underground artist from Africa and Asia and our projects are being given too.
Textolux, our sublabel published two vinyls of the electro, minimal wave project Tetra plok.
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